Some manner of bloglike thing

First Impressions: Tachikawa School-G Pen & New 52 Wonder Woman

Okay, so neither of these are proper reviews yet… but that’s because both things I think are going to take some time to settle. But here, musings on 2 recent purchases of mine: A Tachikawa School-G pen, and the ‘New 52′ reboot Wonder Woman #1 & #2.

(I also grabbed Justice League Dark but I really DO need to read more of that before I can say anything about it.)

Tachikawa School-G Pen

So, over to the left there is a quick sketch of WW, using the School-G for the lines and some Zig Graphic Twins for the shading. The School-G is basically like a cross breed between a cartridge pen and a traditional G nib… which frankly is an awesome idea. I’ve been getting into G nibs lately, and the idea of being able to throw one in my handbag is very appealing.

Now (art quality aside), the WW sketch there shows the biggest flaw with the Tachikawa, and that’s that unless it’s on the right kind of paper, it bleeds massively. This is pretty frustrating because of course, my default sketch book isn’t the right kind of paper.

A quick test on Bristol Board shows its okay on that (but my wallet is pre-emptively crying) and over to the right is another quick test I did on some printer paper. Once I’ve done some more experiments I’ll come back with more conclusive things about it.

The big negative out the way, what about the rest of it? Well, you’re not going to get quite the range of thicknesses that you’ll get from a traditional nib from it, but you can still get a decent range—I’d say between a 01 and a 07 fineliner depending on pressure, if you can avoid bleed. Maybe a little thinner if you’re featherlight and fast, and it is available in an extra fine as well. It’s a little rougher on the page but it’s clean, fast and forgiving; It dries very fast and you’re not going to get an accidental, picture-destroying blob of ink falling off the pen. It plays just fine with watercolour markers. And again, it’s a nib pen you can throw in your bag without thinking about it. You do need to use it at least every couple of days to stop it drying out, but as I want to get better with a nib that’s actually a feature rather than a bug for me.

So, conclusions on the Tachikawa School-G for now: Needs the right paper and won’t replace a G-Nib if you like really high line varience, but it’s a really good tool to be able to throw in a pencil case or when you don’t want the mess you can end up with from the real thing. More thoughts when I’ve gotten more used to it.

Wonder Woman #1 & #2


If I hadn’t heard such good reviews, I’ll admit getting me to buy a Wonder Woman comic would have been a hard sell, especially with the less than stellar portray of women in some recent *coughCatwomanCough* comics. Wonder Woman has never been a book I’ve been hugely interested in, and I’ll admit I’ve maybe unfairly assumed it would be very saturday morning, straight laced superhero stuff, with a character who’s history has been pretty absurd at times.

But I’ve heard good things and it’s about time I read some main stream DC, so I picked up the first 2 issues and was pleasantly surprised. Here’s some reasons why:

  • Rather than straight punchy-punchy heroism (which for the record is fine), we’ve got mystery/horror with a dose of greek myth thrown in. I mean, I knew she was greek based but this is nice and heavy on the ‘gods and goddesses being jerks to humanity’ side of things, and Diana getting lumped protecting Zola feels almost more like something out of a noir story to me.
  • On that note, Diana’s attitude. She’s kinda surly and no-nonsense, and just gets on with things. I like that a lot.
  • Also she is huge. With muscles. She feels really powerful even without gimicks.
  • Also despite having a scene where she’s completely naked, she never feels that sexualised. She’s not ashamed of her body, but she’s not flaunting it either. With recent comics news, that’s just so refreshing.
  • And she head-butts a centaur.
  • Not knowing much about the series beforehand isn’t getting in the way, we get a little dose of backstory in #2 and it looks like the rest is incoming.
  • The art is decent, the colouring isn’t afraid to be moody, there’s bags of energy and nice bold inking. The dialogue is solid too and the characters are all interesting so far.
  • And she head-butts a centaur.

My only big negative is not really the team’s fault and that’s the huge amount of ads in there. If I didn’t want to support the singles due to it being good (usually my real reason for buying singles) I’d be waiting for the trade to escape having my immersion broken every 3 pages.

So yeah, I think this will stay on my pull list, and hopefully the quality stays up. As this is interesting stuff indeed.

State of the KT

Gosh, it’s been a while, hasn’t it?

Things have been pretty crazy here, and I’ll be talking a bit more about some of the reasons in time… I’m hoping to start using this place a lot more in the future so keep an ear out.

What have I been doing? Well, some of the big ones:

  • Manchester! I just moved back to Manchester, with a posse of wonderful pencil-slingers and all round cool types, Mark Penman, Katie Hanratty and Antony Higginson. Also puts me right in range of my good buddy Andrew Tunney. I’m acting as his assistant/webmonkey/partner in crime on a few things, one of which should be making a sneaky appearance at ThoughtBubble con next month…Good times.
  • Books! One of the big reason I dropped off the face of the planet this summer is at the same time as moving, I was asked by the guys at Collins Big Cat to make them a reluctant readers comic. It’s called “In the Game”, and I’ll have more details for you once I have them.
  • Shooting Roots! It’s been an exciting one, the first year of SR’s core superteam of Cal, Maia and Steph running the show… and as far as I’ve seen it’s gone great. It was also the first year of running Craft on the scale we’ve done, and the first time running it at ALL at Sidmouth. I had a fantastic time running it, the kids made some amazing props and puppets and it was all round goodness. And there are even more super exciting folk arts shenanigans on the horizon…
  • Filmage! I’ve been working with an awesome photographer, Crash Taylor to script and storyboard some horror shorts. More info on that as the projects go further…
  • Other Stuff! I’ve been doing some fun design stuff in the Folk community again, including a logo and flyer for the Street Dance The Maypole project, and the cover for the Albion Band reboots’ EP “Fighting Room”. I’m hoping to start work on their site later in the year, and I’ve also been working on a site for the lovely Miss Kirsty Bromley.
  • So generally, it’s been a really exciting few months, and should keep being awesome.

    More news coming soon! Have a good one.