Okay, so not actually done today but due to my ISP being muppets I was lacking in internet for a while. Anyway, I thought I should start throwing up sketches again, so here’s some materials testing and playing with hands in prep for a comic thing I’m working on. Verdict: need to be better at hands.
Growing up with both parents and an aunt in the traditional music scene, I’ve been around folk and world music ever since I was a tiny pram-bound little KT. I’ve been to more folk festivals than I can count, and while I drifted out of it as a teenager a bit, now I’m older I realise I really do still love some of it. Other parts, namely the bits that involve excessive amounts of morris dancing, bohdrans or taking yourself too seriously I’m less of a fan of, but there’s a huge amount of trad and world music that I adore.
And with that in mind, the more I think about it, the more insane it is that I never went to Musicport before.
If you don’t know the festival, it’s a weekend long celebration of world and trad music that used to take place in Whitby but this year took over Bridlington Spa. The atmosphere was great, really friendly and up for anything, and some of the music was top notch. Artists from all over the world, with music ranging from straight up traditional, through jazz and dance of all kinds from tribal to tango to techno. I paid my way by running a small workshop on the basics of manga drawing, which was a lot of fun and I’d love to do again some time. (Perhaps with more than an hour to do it in next time, although some of us relocated to the bar afterwards for more doodling.) I had been a little concerned it was a little unusual to run at a music festival, but there was a decent turnout and it was great to see people of all ages having a crack at drawing. I helped out with the artists’ green room as well, and then spent the rest of the time hanging backstage or being out there enjoying the music.
Suffice to say, I’m more than geared up to go again. In the mean time, I’ll leave you with some of the photographs I took while I was there.
So, this weekend I’m going to be at Musicport Festival in sunny Bridlington. Doing this:
So, if you’re going to be around, I’d love to see you there. It’s my first time doing anything like this, so it should be interesting all round. I’ll be joined by my lovely aunt Jo Freya, and the rest of the weekend for me is going to be taken up with some well needed chilling and lots and lots of awesome trad and world music.
Now that you’ve created some brushes, it’s time to put them to use. Depending on what kind of image you want, there are two methods we can use. We’re going to start with the linear kind, where the speedlines all run parallel to each other.
Linear Speedlines
1) The first thing we need is an image. Something inked, black and white or screentoned will work best. For this one I’ve drawn a quick shot of a guy reacting to something off panel. If you’ve not flattened it, put all the layers you’ve used to make the image so far into a group, to make it easier to see what you’re doing.
Note: These techniques work best on images smaller than 2000×2000, though that’s not a hard and fast rule.
If you’re not familiar with the term, ‘speedlines’ are lines added over a comic panel or illustration to give a sense of movement. They emphasise things by directing the readers eye towards them and can also give a sense of the motion blur of a camera movement; standing in for the zooms and pans you find in film and animation.
Speedlines are one of the most simple ways to add energy and drama to a comic panel, but unfortunately they’re also one of the most tedious things to actually draw. However, Photoshop’s powerful and versatile brush settings can be used to create them much more quickly.
This section of the tutorial will talk you through the process of creating a set of speedline brushes. In the second part, I’ll show you how to combine the brushes you’ve created with the path tool to quickly create linear and radial speedlines. It’s worth bearing in mind that this method does not give the exact control and results of painstakingly creating them by hand with a pen and ruler. Also, while there’s nothing hugely advanced in this tutorial, I’m going to assume the reader has at least some familiarity with Photoshop before trying this.